King kong #21 Food un portfolio en immersion dans

un portfolio en immersion dans les nuits écarlates

Toyo Ito sat with a group of young architects and academ­ics to discuss how his early work of the 1970s and 1980s took a radical approach to intervening in a newly emerged consumerist culture in Tokyo

both past and present

shame meets resistance

King kong #21 Food un portfolio en immersion dansPilar Zeta and Marina Abramovi meet in a dialogue that quickly exceeds the frame of art and slips into something more unstable: perception itself as material. What begins with questions about imagination and creation unfolds into a deeper inquiry into how reality is assembledwhether it is something fixed to be observed, or something constantly edited by attention, intention, and internal state. Abramovi grounds herself in radical presence, where