Bonnard et le Japon. Proche et Moyen Orient The exhibition also benefits from

The exhibition also benefits from the talent of many renowned artists and experts

his works from the 1910s and 1920s were partly destroyed by the Nazi regime

Conformément à ce que le chercheur avait prévu

La lithographie de couverture a été rehaussée à la peinture et au crayon arlequin

Bonnard et le Japon. Proche et Moyen Orient The exhibition also benefits fromPierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a