STÉPHANE RIME, NoName (rosa), 2018 sculture The etchings often originated as

The etchings often originated as frontispieces or illustrations for volumes

the artist interwove fluid and sinuous forms that evoke elements of nature

on the right

This lithograph is part of the Inside Out project: in 2012

STÉPHANE RIME, NoName (rosa), 2018 sculture The etchings often originated asNoName literally means "without a name" and aims to evoke all the unknowns, the anonymous, the travelers, the people who come from afar, but also those nearby whom we do not see and remain invisible to our eyes. From the repetition of the word "NoName," which traces random boundaries on the canvas, abstraction is born: colors cross the drawn limits, blend, overflow, and overlap until the originally imagined contours are no longer clearly visible.