KŌRIN FURUYA, Kōrin-style Patterns n. 56, 1897 sculture The movement identifies itself with

The movement identifies itself with the propulsive force of the wave

and the straight lines of rain create a sense of tranquility

In his screen prints and original graphics

In his original lithographs and screen prints

KŌRIN FURUYA, Kōrin-style Patterns n. 56, 1897 sculture The movement identifies itself withStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: