HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 20, 1834 sculture This compositional device

This compositional device

The two plates were inked separately and printed with a double pass of the star press

sul bordo del cratere della montagna sacra nella posizione meditativa del “loto” con le mani atteggiate nel segno esoterico buddhista indicante la spada del dio Fudo

Hasui initially studied traditional Japanese painting (Nihonga) under the guidance of Kaburagi Kiyokata

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 20, 1834 sculture This compositional deviceStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New