Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie implies reconsidering the fundamental data

implies reconsidering the fundamental data of this canon: perspective

Jasper Johns

Des plages de la Méditerranée à la nouvelle civilisation qu’est le Brésil jusqu’à l’Inde immémoriale : invitation à méditer sur trois villes anticonformistes et oniriques

which functioned from the 4th century BC until the municipalization of the city around 70 AD

Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie implies reconsidering the fundamental dataFrom the late 1860s until her sudden death in the Bazar de la Charit fire in 1897, she led a singular career, a real challenge at the time for a woman of the upper middle class. Her pieces, of exceptional quality, even though they were amateurish, are marked by the taste of past centuries or tinged with a Japonism that was more modern than then. This catalog, published as part of the fourth Normandie Impressionniste festival, constitutes the first