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Description
Claude Mossé
he reconciled the artist and the craftsman
et aux plateaux spécialement conçus pour être reproduits
A practical study from a period perspective Ursula KÄSTNER
Médusa. Islam Claude MosséThe dead man's gaze passes and does not linger. It does not touch, it does not caress, it becomes an element of nature, a black pearl in the jungle, a friend of banana leaves and hummingbirds sparkling in the buzzing of their agitated wings. The gaze enjoys. It gives birth, it moistens. An encounter without witnesses in the heart of solitude. Marine horns, cromornes, sonorous and black serpents. Antoni Casas Ros excited the journalistic sphere for
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