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Travailler pour nous [à quoi tient le design]. Islam Vision and Subjectivity in Antiquity

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Description

Vision and Subjectivity in Antiquity 11 1

Taken from “Orientalia

the pictorial and literary landscape

Foreign Influences in the Formation of Japanese Art

Travailler pour nous [à quoi tient le design]. Islam Vision and Subjectivity in AntiquityBy focusing on what design is all about, this book establishes that design has not been swallowed up by the system of large scale industry from which it was born. Design emerged from an active search for forms, linked to machines, without, however, being part of a capitalistic yield and economy.

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