Les grands monuments de Lutèce. Premier projet urbain de Paris. Crypte archéologique du parvis de Note-Dame. Amérique du nord and Théo van Rysselberghe

and Théo van Rysselberghe

They made them evolve

covering Canada

the tragedies of Seneca and the Renaissance poets John Second and Michel Marulle

Les grands monuments de Lutèce. Premier projet urbain de Paris. Crypte archéologique du parvis de Note-Dame. Amérique du nord and Théo van RysselbergheFrom the 70s AD, nearly a century after the Roman foundation of the city, architects and engineers built the great monuments of Lutetia. These buildingsforum, baths, theater, and amphitheatergave it a structured and functional organization. They made it possible to meet all the requirements of public, religious, and administrative life. Their magnificence also demonstrated the Lutetians' taste for the amenities and entertainment offered by Roman life.