KŌRIN FURUYA, Kōrin-style Patterns n. 74, 1897 sculture a recognition reserved for artists

a recognition reserved for artists considered essential for the preservation of traditional arts in Japan

Then Simeon blessed them and said to Mary

NoName letteralmente significa “senza nome” e vuole evocare tutti gli sconosciuti

both in the two figures (a woodcutter on the left with an axe and a hunter on the right with a rifle)

KŌRIN FURUYA, Kōrin-style Patterns n. 74, 1897 sculture a recognition reserved for artistsStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London: