La Vie méconnue des temples mésopotamiens. beaux arts ) et les plus récents

) et les plus récents à la XVIIe dynastie (c

It returns to the problem of the "historical construction of the figure of the artist" and shows that the study of the image and imagination of the artisan constitutes

«Quatre nouveaux fragments de la Pierre de Palerme« H

alongside the publisher Marc Barbezat

La Vie méconnue des temples mésopotamiens. beaux arts ) et les plus récentsAncient Mesopotamia has been the subject of fascinating discoveries since the 19th century. The cradle of our civilization, it witnessed the birth of writing towards the end of the 4th millennium BC. The hundreds of thousands of texts that have come down to us from these distant eras, combined with archaeological evidence, reveal an enchanted world where everything, to varying degrees, is sacred. Every human activity involves the intervention of a