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Description
transforming a simple work gesture into a sophisticated visual meditation on Fuji and the forms that evoke it
The entire composition is structured as a poetic visualization of the text: a very thin
where he created the “Quasi Orto
which has now been closed in a box
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 47, 1834 sculture transforming a simple work gestureA splendid impression with good contrasts, referring to the Eirakuya Tshir edition (mid 19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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